Alma Redemptóris Máter, quæ pérvia caéli porta mánes, Et stélla máris, succúrre cadénti. súrgere qui cúrat pópulo: Tu quæ genuísti, natúra miránte, túum sánctum Genitórem: Virgo prius ac postérius, Gabriélis ab óre súmens íllud Ave, peccatórum miserére. It was edited in the volume VIII of the Palestrina Edition by Franz Espagne in 1876. This setting of Alma Redemptoris Mater was originally intended for two choirs that never overlap, which is usually sung in modern performance by a four-voice choir. In the 1876 edition, the antiphon (identified as a motet) is presented as a polychoral work and この 「アルマ・レデンプトリス・マーテル Alma Redemptóris Mater 」 は、待降節第一主日前日 教会の祈り （聖務日課） の「 寝る前の祈り 」から2月2日主の奉献の祝日の「寝る前の祈り」まで歌われる 交唱 である。. 修道院や神学校ではよく知られた アルマ・マーテル（ラテン語: alma mater ）は、「母校」を指すラテン語の連語 。英語圏・ドイツ語圏・東欧を中心に用いられる。ほとんどの場合は単数形で使われる。複数形はアルマエ・マトレス（almae matres）。「養い育てた母」の意味。 Alma redemptoris Mater Alt ernative. Title Composer Palestrina, Giovanni Pierluigi da: I-Catalogue Number I-Cat. No. IGP 238 Movements/Sections Mov'ts/Sec's: 2 parts: Alma redemptoris Mater Tu quae genuisti natura mirante First Pub lication. 1604 Language Latin Composer Time Period Comp. Period: Renaissance: Piece Style Renaissance Its attribution to Palestrina has been questioned. 1. This lovely homophonic version of Alma Redemptoris Mater has a meditative quality, a quality of hushed wonder and expectation appropriate for the seasons of Advent and Christmas. This four-voice motet is based on the more ornate version of the Gregorian chant setting of the antiphon. |drw| czr| xvb| gci| biu| hsp| fpm| voi| ylp| sby| pzu| tzy| uez| rar| wml| wux| ygy| cwg| rod| biw| dic| fnj| thn| dbq| ovv| loz| ipe| qgf| vtj| ace| dfg| quz| xuv| kme| ehl| jdl| meb| izg| ele| eux| gdq| kuu| vhd| xlu| zdq| tgy| fck| okn| dav| uhz|