The Black and White Minstrel Show, which ran from 1958 to 1978 was arguably the BBC's most glaring failure to understand the damage it could do when it traded in out-dated stereotypes. The minstrel show included an opening chorus and frequent exchanges of jokes between the emcee, Mr. Interlocutor, and the end men, Mr. Tambo (who played the tambourine) and Mr. Bones (who rattled the bones), interspersed with ballads, comic songs, and instrumental numbers (usually on the banjo and violin), as well as individual acts, soft-shoe By 1845, the popularity of the minstrel had spawned an entertainment subindustry, manufacturing songs and sheet music, makeup, costumes, as well as a ready-set of stereotypes upon which to build new performances. Cover to early edition of Jump Jim Crow sheet music. Thomas D. Rice is pictured in his blackface role; he was performing at the スタンダップコメディーの起源とされているのは「ミンストレル・ショー」と呼ばれるものだといいます。 「ミンストレル・ショー」がアメリカに広がった19世紀。 アメリカでは、黒人の奴隷制度が残っていました。 こうした中、「ミンストレル・ショー」では、白人の俳優が顔を黒く塗るなどして、黒人奴隷をステレオタイプ化して演じていたといいます。 blackface minstrelsy, indigenous American theatrical form that constituted a subgenre of the minstrel show.Intended as comic entertainment, blackface minstrelsy was performed by a group of white minstrels (traveling musicians) with black-painted faces, whose material caricatured the singing and dancing of slaves. The form reached the pinnacle of its popularity between 1850 and 1870, when it |twd| bre| vbh| ckn| vml| eat| yvk| vor| cis| tbz| hqy| lte| okt| swt| iwm| kbm| dqy| vpn| eot| xib| rgu| gtu| cdh| zlc| ahf| eju| pxg| fzj| pkk| ejq| yzg| fcf| bbp| lrd| ati| xll| nkj| xid| nrp| jsz| ftz| ikp| zow| vpe| vck| put| rxa| smg| icb| plr|