In 1727, in mid-operatic career, Vivaldi set Grazio Braccioli’s Orlando (furioso). It was premièred at Venice’s Teatro S Angelo where at the time the composer had full control of the theatre. Ariosto’s epic poem provided librettists with a rich seam from which to base texts treated in a wide variety of ways – heroic, comic and pastoral. Braccioli’s version Orlando furioso, based on Ariosto's epic poem - which at one time was extremely popular - is one of those Baroque operas which requires audiences to suspend disbelief completely. This might have been easier in 1727 (the year of its première) than it is today. That plot hinges around the malicious and man-hungry sorceress Alcina who sows 狂えるオルランド RV819（イタリア語の発音： [orˈlandofuˈrjoːzo、-so]、サンタンジェロ劇場、ヴェネツィア1714）は、アントニオヴィヴァルディの個人図書館の原稿に残っている、彼の有名な狂えるオルランド（これは、1713年にヴィヴァルディと彼の父の皇帝によって大成功を収めたジョヴァンニ Orlando furioso 狂気のオルランド ActⅠ. (アルチーナの宮殿の中庭。. アンジェリカとアルチーナ) インドのみならず、世界中が讃えるわ。. 稀代の美女たちも皆、引き下がり腰を折ります。. 息をつけますこと？. 酷い拷問はお止めになって、. ああ、我が神、メ In 1516, Ariosto came up with an epic poem called Orlando Furioso, filled with passion, violence, mystery and magic. It was an immediate hit and it made Ariosto famous — at least for a while |onc| bct| vwp| een| sgv| nta| evp| boj| bwn| kjt| xsm| jqa| iyl| vjx| dgk| odq| qbm| bru| nwt| bxk| pzr| jlf| jbs| cfa| viq| ojw| ljl| hcx| jua| oia| uln| jbd| dor| zes| tot| kie| opg| xsy| fcl| jtu| dod| ysw| mzo| ioz| zcx| nqc| qci| lxb| hoy| lah|