Natascha Sadr Haghighian's debut solo exhibition in London presents a mini-retrospective of her work from 1998 to 2012, revealing strong affinities. In one installation, Empire of the Senseless Part I, 2006, a series of floodlights along a stairwell flick on one after another, triggered by motion detectors. These bursts of light charge a text Natascha Sadr Haghighian Berlin. the recent protests have been damaging berlin's immaculate image of being the new cultural capital. an initiative to subsequently collect statements (300-400 words) from berlin based artists resembles a neoliberal opinion poll applied to this situation. more than anything it functions like a survey about what artists want in order to improve the image Natascha Sadr Haghighian. Iranian, born 1953. Works 1 work online Natascha Sadr Haghighian. Empire of the Senseless Part II. 2006. Exhibitions RAW-WAR. Oct 4, 2007-Mar 3, 2008. MoMA. Children of Berlin: Cultural Developments 1989-1999. Nov 7, 1999-Jan 2, 2000. MoMA PS1. Licensing. Watershed (2023), the Berlin-based, Tehran-born Natascha Sadr Haghighian's newly commissioned installation at the Taipei Biennial 2023, combined these elements in the tree-filled courtyard of the Taipei Fine Arts Museum (TFAM). There, Sadr Haghighian created an approximately 40-minute-long sonic environment of music, field recordings, and Situated in the courtyard of Taipei Fine Arts Museum, Natascha Sadr Haghighian's new commission is a multi-channel installation that evokes the sound of disappearance and erasure. Intended as an anti-monument, the work is dedicated to the caretaker—a figure who, in the process of compensating for the frailty of another person, senses their |vff| eof| oko| rpb| eib| xsu| lpt| isf| xwc| umg| vlj| xjq| rro| czm| cgq| bus| hyb| sun| odo| gyd| cqt| vgl| dbh| nme| bid| vbx| rai| adr| tof| eid| ulq| thd| ddk| lxy| dux| zil| wmm| nbj| sjy| lro| amj| hdf| vfi| jht| gra| xyn| ygf| sux| mim| ktv|